Horror Thread

Pitch it to us, user.

Horror game by Junji Ito when?

Never ever.

Oh, and THANK YOU KONAMI, YOU INBRED RETARDS

Working on a mildly spoopy Morrowind Housing/Quest mod right now.

Does user think I went overboard with the skulls?

The Emperor would be pleased.

we have let ourselves go

Yep, it's pretty sad.

What're you playing user? I'm downloading Corpse Party to try it out.

Apologies for not propping off the traditional Saturday Night Horror Thread. I'd dump a Junji Ito manga, but I'm more than mildly drunk right now.

Jump scares can be cheap but on the same note if a game doesn't have something resembling one I'de have no reason to be wary. Context is key here.

Scratches did it right. Only had about three or four jumpscares, but these sufficed to keep your on your toes for the entire rest of the game. Especially that one scene in the basement.

Jesus Christ I almost shat my pants

Honestly, it's all in the music. The screeching of the violins makes your entire flight instinct run amok because you know something is going to happen.

That's because horror games haven't had proper enemies for a while now. Everything is a tag game with ugly models. Echo Night Beyond keeps the tension going with no jumpscares. Once you enter a foggy room, you know an enemy may be coming, but you're not entirely sure if there's one there, where, if or when it's coming, and you will not know until it's in your face, and if you don't haul ass out of there, your character will die of a heart attack. No quicksaves either so you either have to go back to a save point or keep going and remain careful.

Western: Dunno. Asian: Silent Hill 2
When it's done right, it's great.
Dunno, but I'm sure it could be done
No :(

Like I said. It depends on context. Enemies in that game might be scary but you can't say you would be afraid if you knew where they were on a map at all times. It's the anticipation of a sudden buttfucking that keeps it scary. Something coming around a corner right next to me will always give me more reason for apprehension and unease than knowing something is coming at me at the end of a hallways or open area.

Alone in The Dark trilogy.

None, they're all shit. I love the atmosphere and enemy design of Siren and environment of Silent Hill though.

Cardinal sin, and highly unnecessary. The most artificial of all suspense.

It's better when incorporated into the game, like how Alone in The Dark did it.

I haven't played any video game this month.

Anyone here looking forward on Call of Cthulhu?

Kind of just seems like an Amnesia rip off, and Amnesia itself was kind of boring.

Indeed, but if there's anything to take from that game is that jumpscares are not just unwelcome, they're unnecessary. Consequences and enemies that you're forced to face to proceed and can easily wreck your shit are scary. A loud noise and an ugly face are just the equivalent of a kid with a mask screaming BOO! and it's just as annoying.

Damn you user for bringing back those childhood memories, I was on the verge of reinstalling but then I remembered the catacombs under the ruined monastery.

The thing is that if you know where an enemy is it's not very scary. Ambience plays a large part of course but suspense without payoff isn't exactly suspense. And you assume that a jump scare is as simple as yelling boo. There's a lot of good examples of jump scares that rely more on a reveal than an instant jump cut. All you really need to do with a good jump scare is find a clever way to bring the game from moderate danger to extreme danger in a short amount of time. And knowing something can kill me isn't really comparable to a jump scare. Like I said it has to do with context here. I don't feel personally afraid unless I know the developers had the balls to use some clever methods to make me shit myself. Otherwise I would just be playing a survival game.

The PS2 really has a lot of horror titles worth checking out, emulation was a godsend in that regard.

IMSCARED the Steam version, not the shorter Gamejolt one
They can be what makes a horror game fucking amazing if done right. I know it's cringy as fuck, and its fanbase is a mixture of shitty little 8 year-olds and furries, but the first FNAF game did this pretty well. The jumpscare wasn't a main part of the gameplay, but rather it was a PUNISHMENT for fucking up.
Shit if I know.
Nope. The market for horror games is an ocean of piss, really, save for a few good ones here and there, but the good ones are hard to find out about.

I was going to go to bed and you reminded me of this track. Fuck that game wasn't that good as a game but the feeling the house gave you. Incredible. Never felt so lonely in a game.

Would you like a game based on Kuchisake-onna?

Is that the one that appears and asks if you think she's pretty? And if you say yes she says she'll make you look like her then and so she cuts your cheeks, and if you say no she attacks you crying?
How do you win? By asking her about the nature of physical beauty or something?

Oh, or asking if she thinks that she's pretty.
Or asking why she cares if other people think she's pretty.
Or asking her if she'll be your ghost gf.

...

Doesn't sound like a bad idea.

Jump scares are not scares. They are startles. You are not scared, you are surprised. Big difference.

I see where you're coming from, but using that logic Silent Hill 2 wasn't scary because I just felt guilty and ashamed, not scared.

...

Maybe? I wasn't particularly scared playing SH2. There is a lot of fears that horror games can use. The fear of the unknown is probably the best one and SH2 uses it fairly well (the odd sound here and there, someone or something walking there).
Powerlessness is probably one of the better ones to use too, which is why for example games like Dead Space fall completely flat in that regard. I have no fear of a hulking necromorph when I can just cut it to pieces and then stomp those pieces to bloody pulps. Makes me feel more like Doomguy than Isaac.

I know the tall qt, and someone already posted the name of the qt on the right.

Who's the left qt horror girl?

As far as descriptions of things I believe going the H.P. Lovecraft route of giving vague and sometimes contradictory descritions of things would work. One of the best lines from Call of Cthluhu and one of the things he wrote that has stuck in my mind is when he describes a corner of a building as "Both acute and Obtuse". It might be a weird thing to focus on but without the shape morphing between the two ranges, I can't imagine something that looks like that.

So abuse the fact that unlike with video games, comics, movies, etc. You aren't limited with trying to show the player something, but paint the picture in their mind.

I have been meaning to play a couple of text adventure games with horror themes. I believe The King of Shreds and Patches is on my list but I'd forgotten about it until this prompt.

I am continuing my replay of Siren. This game has some of the more interesting collectibles I've seen in horror gaming.

Not even once.

I always imagined that to look like that one GTA Vice City glitch where the chain link fence is on the other side of a car, but it looks like it's on the closer side.

By saying she's average. That was always said to be the right answer as long as I can recall.

Phone ghost named Mary that texts you as it approaches, with the final one being a sort of "I'm behind you", then she kills you. So it's a sort of modern age technology ghost.

Amnesia: The Dark Descent, Penumbra series, Doom³ (love the slower survival horror style and the atmosphere it creates – the soundscape and the look and feel of the game).
Never played a Nip horror game I enjoyed.

As with films jumpscares can be done right and (mostly) wrong. I think games are better suited to make use of jumpscares – the player can react (fight or flight) and isn’t forced to view someone else’s reaction, or being treated to loud music/sound effect.

I would focus on creating an eerie, unsettling atmosphere and avoid chase scenes and enemy interactions as much as possible. It takes too long to read the text to be able to react to a sudden encounter, and that really kills the immersion. Getting a really good OST (Midnight Syndicate?) & sound effects would help.

Nope – it’s been a while since I’ve played something good, and even longer since I played a good horror game. ;_;

Does anyone have a list of necessary fixes/patches for Call of Cthulhu?

I’ve only ever encountered one bug in CoC: TDCotE
The controls feel clunky and the animations could need some work though.

The type of jumpscares I want arn't the Freddy kind which dump a monster in your face and "BAM! GOT YOU!" That's cheap.
The kind I want is you're going down a road with a flash light and you encounter a beast that turns it head towards you. Do you raise your gun and fire what little ammo you have or do you run like all hell and try and lose it. That's scary.

Reality bending things being compared to video game glitches works for me. Either way you are talking about some
I've read you can also get away by excusing yourself and saying you have some function to attend. Apparently japanese ghosts hate to be rude if you have work to attend.

I think that is an apt reason why some of Lovecrafts descriptions boggle the mind. It's like trying to explain a game glitch in reality.

Spoopy walking sims wear out their welcome fairly quickly. You need more to it and the new coc looks rather heavily scripted, meaning it's good for one playthrough and then you never touch it again.

sounds like a fun idea.

Not really getting any Lovecraftian feeling from it or Frogwares The Sunken City, which looks like a whole heap of tentacles & combat.

That reminds me I'm playing Magrunner dark pulse. I don't hate it but it's really just portal with magnets versus Cthulhu. Lovecraft is just a theme in it. At least with this thing they seem to be attempting an actual horror game.

Siren: Blood Curse, Penumbra series, Corpse Party and Ib, as well the other assorted Jap RPG maker games.
Definite sin for me. For example, Until Dawn had jumpscares that weren't even in-universe, they were solely meant for the player. Its a lazy way to build and release tension and become meaningless in excess.
Atmosphere is everything, depends on limitations though. A "text" adventure like Stories Untold had graphical gameplay for certain parts but you playing as you playing the text game and only the text (with background effects) was well done, but you could argue that its not a real text game Aside from that, being descriptive is everything like any good horror novel.
Stories Untold is the latest horror I've played, recommended if you're fine with puzzles.

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It WASN'T scary most of the time. It was brooding and dreadful. Very few times was I outright scared, and I'd place them in the area where you go "under the lake". Most of it wasn't scary, but it was horrific and tense.

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I really liked the concept of Outlast, but its execution left me cold since it relies on jumpscares more than I'd like (read: at all) and there's several plot points that don't quite make sense (and the Whistleblower side-story aggravates). Nonetheless, there's pretty good moments here and there, like the Trager manicure for example. I also appreciate that it went and pushed several boundaries in terms of content, though I would've preferred that it had done more with it than mere shock value. Feel free to call me a faggot with shit taste, but do elaborate why I am.

The idea with the original Outlast was to keep you so scared that you didn't have time to think about anything (Panic horror?). It didnt' succeed too well, but it tried.

I don't buy it.

it seems promising, but it HAS to have this fucking fantastic music. Then I wouldn't care if it was a walking simulator.

The trailers definitely do a great job on atmosphere, hopefully the game itself does the same, if not more so.

I was obsessed with this game when I was a kid despite never playing it.

I remember going to the shops and just looking at the cover and the pictures on the back and then thinking about it when I was in bed. Still haven't played it to this day.

I was a strange child.

I've experienced the same with something else, but I don't remember what

So a couple threads ago I was talking about Horror games with ensemble casts (multiple playable characters) and it got me wanting to find more examples. I listed games like Siren, Fatal Frame 3/4/5, and Eternal Darkness but I'm not that big into what's been done in horror games so that's where my knowledge stops.

Are there other examples of games that split the player across multiple avatars? Preferably characters that have different playstyles. I can even accept titles like Resident Evil where you have a "Side A. Side B" structure. I'm looking for more stuff to play going into the summer.

Evil Within
It's all garbage

Resident Evil Outbreak games.

Oh yeah, a generic RE5-clone with a bland-ass story and a coat of spooky paint on it. Top notch horror.

I am sitting on the first Outbreak title.

t. asshurt weeb

Anime sure is scary

Aw shit, i love that game. Replayed it not too long ago and it's aged like shit. Unreal engine 1 is oooooold. But the sounds and atmophere are gr8 to this day. Liked the short stories in the Gabriel's notebook.

Why not a chair like a normal person?

What else am I going to do with it now that the servers have been dead for this long?
I got it last year but just couldn't get past the first area. I hear it's still good even without the coop.

Deadly Premonition swaps leads a bit it towards the end, and it's not horror but Final Fantasy 6 does it a few times and Dragon Quest 4 starts out as individual people on their quests.

Played the others you mentioned, and this one is on my list. I am looking for horror games though since I really like the idea of "short story" style horror games. Individual chapters with different characters has led to some interesting moments where I maintain my anxiety while playing because I'm not sure if the character I'm using will get offed or not unless they reek of "Main Character".

Yeah I really like it despite not having completed it and never having played it online.

I find it by far the scariest in the series. There's something about the start of the Racoon City outbreak that I find really spooky. The zombies are really well done as well.

Just a great game. A shame we'll never get to experience it in full co-op glory but oh well.

I wish there were other horror games that used a similar pseudo-90's GCI art direction that FNAF had

Weird how I didn't even mention anime, huh? But I guess refuting arguments is hard.

Sure is Summer.

Evil Within is nipponese through and through you nonce.

Tought choice between Dead Space 2 or Alien:Isolation
Definitely Fatal Frame
They're okay, but the atmosphere needs to be good and don't overdo them.
Lots of descriptions that are vague enough to let you fill in the little details and never really reveal what you're current creature is.
I picked up SurvHive, some EA title from a bundle. You play as either an alien infected human or a normal human. The infected player(s) try to kill everyone else before the humans can discover and kill the alien(s). Sort of like Trouble in Terrorist Town, but the Ayys have a couple of powers in their true forms that make them hard to kill.

The Residents were pioneers for tech in the 80s and 90s, and released a game around 1995 that exemplifies that kind of art direction you're looking for.

Damn, i enjoyed their Sherlock Holmes games. Is this also one?

...

They actually did a Sherlock/Cthulhu crossover game some years ago

It was pretty cool.

No man's sky, purest horror I have ever experienced.

Adventure: The Cat Lady.
Action: maybe CoC DCotE
Soma also has a marvelous plot, but it's not that playable.

The Witch's house.

Pity Bloodborne is not an horror game, because the plot and design would be top notch for an horror game.

It would have to be extraordinarily well-written to be even vaguely worthwhile in this day and age, and it would need a very creative story to make up for its lack of visuals and audio.
If I had to improvise, probably

Detention — haven't tried it, just heard it's similar to The Cat Lady.
Also Outlast2 — haven't tried it either, holding off until I have my sister over from abroad and we have our horror party.

Wish thread had more suggestions, I'm looking for stuff.

If I had to improvise, probably…
…I would make a game taking place in Bash, or stuff like that.
E.g., I'm in a spaceship, suddenly awakened from cryosleep, system is malfunctioning and I'm about to run out of air / collide with a star / shit like that, only interface I have is the fucking DOS prompt and I need to troubleshoot my way through survival as the system's oxygen etc. keeps getting lower. Could be a start.

Siren really is a great horror game, even with it's flaws.

Simple.

>as they go through the library, they find a dead body

Holy shit this is actually pretty good.

Some long haired pale chick doing the pop and lock isn't scary. It's violently arousing.

is there anyway to get Alone in the Dark to work on modern machines?

How right you are.

Silent Hill is by far the best horror game in general. The PS1 one is in serious need of a fan remake tho… graphics havent aged well, and I say that as a huge fan.

Some games give me the chills, but that's not really the same when it almost always ends in jumpscares, like Outlast or Slenderman. Not gonna lie, the chills ARE good tho.

No user, dosbox and dfend don't exist.

Why don't you emulate James and drive into a fucking lake, you twat.

>You will never Never Ever be abducted by a cute tall Ara ghost

>After you already know there is something in the basement.

Even knowing that it was the type of adventure game in which you can't die, I NOPE'D out of the basement at lightning speed after that one cutscene.

There should be a H-Horror Game based on her. If you can make such a thing as a H-Horror game.

It will never happen, the Japanese can't handle anything where the female is even remotely assertive or in control. She has to be a squealing fucking 8 year old in order for their shrimp dicks to not shrink out of intimidation.

Stop hurting me

But how can you be both scared of something and want to fuck it? The fear boner is a real and powerful thing, but I wonder how you can make that work in a game.

>>>/ara/4705

First person view. Look at and imagine that face hovering an inch away from yours, dead silent, while she slowly lowers her warm pussy onto your dick. It'd be a wonderful mixture of pleasure and complete fear since you have no idea what she will do to you once shes done.

Barely existent.

Unless I have somehow sifted through all the shitpiles on gelbooru and sadpanda without finding any good ones. If you have some quality feel free to share it, and no, giant latex tits Silent Hill monsters aren't arousing.

What if she proverbially smothers you to death with her breast after you've come?

Or, for a slightly less romantic version, have her suddenly grab your head and snap your neck following climax.

Putting the fetishes aside I do think there is potential for a game based around Urban Legends. In particular, the idea that these kinds of things lurk in every day life and all it takes is one wrong turn down an alley, or picking the wrong time to visit your relatives in the country for you to be marked for death.

Without making it /ss/ I think Pic related is a good example of how to do this. No matter what you do the Hachishakusama will never stop pursuing you once she's made you her target. Even in the original story it was still trying to lure the narrator back to Japan so it could finish what it started. I think making a survival game where the point is to try and get to whatever constitutes a "safe area" from the horrors that pursue you is an interesting idea.

Of course, it would totally work in real life when your adrenaline is running wild and your brain is shooting out a confusing mix of fear and sex hormones, but in a game I don't think it would feel the same. You'd expect something like that if it advertised itself as horror porn so it wouldn't be as scary. Maybe the game could call itself regular porn with no horror, then suddenly drop that scene on you. It could pull off a really unique effect on the player if done right, but it would still only work once.

Either this is a whole lot of psychology required for a fucking H-game or I'm way overthinking things.

I like the idea of trying to hide from something in a big world, where it can potentially come for you out of nowhere at any time and there are no scripted events that make it obvious what's going to happen. You are Being Hunted is apparently like this, but I don't know much about it.

Also, with how big the world is I don't think you should actually meet your enemy(s) too often. There's enough time between encounters that you get engrossed in the world and whatever tasks you need to do, while building up tension for the next fight.

No, no death, just threatening behavior.

agree with you there, try basically re invented survival horror and brought back the genre
soma was incredibly good, but not as much horror, the setting and ambience was amazing though
and what's up with that horrible gif?

'>>12963213
Add to this the fact that the Hachishakusama is invisible to anyone but her target (but people can still hear anything she interacts with like tapping on the window) and you have a recipie for horror. She'll come for you in broad daylight, towering above the crowds as she circles in closer and closer. The only real way to survive is to hole up somewhere and pray to Buddha with a charm. Said charms have a limited effective duration and will eventually become corrupted enough to be useless. Sealing an area with sacred salt gives a more lasting barrier but are also temporary and subject to losing purity.

The only way to survive her is to leave the country entirely. It's a race to your preferred mode of transportation out whether it be boat of plane.

Holy shit. Good job user. I think I'll have a crack at making this in a few days if that's cool with you.

i'm hype for evil within 2

not really I just hope it's not shit

Truly you are mah nigga

I lost that greentext about the relatives that wanted to make sure their son's corpse was buried deep because of something in the forest. I know it gets posted a lot, but it gives me an odd chill every time, just thinking about it even.

I don't know how people can sit through stuff like this let alone develop it.

Unironically? FEAR for the west. But that's also because it's one of my favorite shooting games as well. Clock Tower for the east. That game was actually pretty nerve wracking at times given how detached the player is from the character.

Jump scares are a way of relieving built up tension. It requires a general sense of ebb and flow, and knowing how a player might react to a situation or even simple stimuli to catch them off guard. They also tend to make a game linear because of the sheer setup involved.

Linearity is, ironically, also why walking simulators tend to suck at a genre that naturally benefits from it. There's no stakes or tension on the player's part. You know you're going to live, or else the game can't go on. You need mechanics and consequence to create tension. It's the difference between mommy holding your hand and getting lost in public. That uncertainty of the surroundings and of your ability to cope with a sudden threat require some agency to work.

The same way you make a good game of Call of Cthulu/Delta Green work. Good writing.

Not quite yet, I might dig through RPG maker trash at some point in the near future.

If you want to hear more inane ideas, I got Steam. no gay shit, promise

steamcommunity.com/id/shortnumber/home

wow I haven't thought about the residents in ages.

wew, fucked that up.

steamcommunity.com/id/shortnumber/

...

What about a romantic Yandere?

exhentai.org/g/968434/49889d7534/

I had an idea of that with using Jurassic Park as the setting.

>being caught in the open with her is a death sentence since she's faster than you include cheat code called "Highheels" that lets you sprint JUST a bit faster than the rex

...

What about a game where you also are isolated, but where you do not know whether or not there's a monster around.

It would start out as little more than a walking simulator through a deserted city, but little by little you would begin to notice odd details - previously locked doors mysteriously standing wide agape. Writing on schoolroom blackboards that had been empty. Items changing position.

The psycho drama would continue until you are all but certain that something is following you, but the ambiguity would always be there.

Sounds like Miasmata.

Fatal Frame are my faovurite horror games as a series. 3 is my favourite, but I really liked them all, even 5

5 gets a lot of flack for not being scary, but if any game justifies the existence of the wiiU gamepad it's this. The 360° snap-em-up combat was pretty damn fun, as long as you understand how it works. I can't imagine it working on PC either.
I think of it as a VR game without the limitations.

personally i wasn't really feeling ff5 until the doll shrine, and after that it started falling into place. the tall woman especially really bothered me, i love that design

So does Fatal Frame 5 focus on more contemporary japanese spirits? I recognize the Hachishakusama.

i'm going to be totally frank with you: i don't know shit about contemporary japanese spiritualist folklore. the themes of the game are water and marriage, that much i can tell you

Neither do I. But I know that ghost is from the late 00's and usually the spirits are of an older vintage.

Still sounds good. Is the game better or worse than 4? 4 was a slog to get through and it's only because a friend and I marathoned it together that I would ever have beaten it. Lots of repetition and chapters with no payout.

i only put about three hours into 4 before i dropped it, so maybe it gets awesome after that point but i can't really say. 5 is pretty good. it's not amazing but it looks good, feels "right" and has a lot of extra unlockable stuff there's a bonus campaign after the main story is done where you play as ayane from DOA, complete with a different weapon and different mechanics

i was also surprised by the frankly shocking amount of T&A on display especially when Holla Forums was losing its collective mind over it being censored. literally the first ghost you run into is rocking some pretty monumental sideboob, clothes get sheer as they get wet (and water is a yuge part of this game), and there's ass for days. overall i enjoyed it way more than i was expecting, it genuinely scared me at a couple of points, and overall i'm glad i played it and it'll probably find its way into my annual routine of playing fatal frame 3 around halloween

No it doesn't. the story is a mess and since you only play in the same hotel each level it starts to feel repetitive really fast. You have 4 playable characters and you already know that One get's got and only one of the others has a unique playstyle but isn't introduced until well after the halfway point.

I'm not joking when I say the plot completely forgets the fate of one of the characters and never brings it up. And the bosses are just Copy-paste the same two encounters into the next spot on the map.

FF4 is a mess and the only saving grace is that we had to pirate it anyways to use the patch so we didn't lose any money on it. Even the collect-a-thon was underwhelming once we finally looked up the rewards and it was fucking nothing.

Why didn't anyone tell me about this?
I'm going to have to take my wiiu on vacation after all. I wonder if the game is playable on gamepad only.

STALKER kinda does that. It's not exaclty a horror game, but a lot of the horror stems from genuinely accidental encounters with the supernatural.
Not scripted or anything, and you can spend time without anything happening, but then take a wrong turn and you hear a bloodsucker rustling in the distance.

[Heavy panting in the distance getting closer]

Miasmata is pretty damn direct with its monster. It quickly turns into giant panther avoidance management.
Which is a shame because it's otherwise not a walking simulator but a hiking simulator, with a neat cartography system and a realistic depiction of walking down and up slopes. As a mountainfag I found it pretty impressive.

The idea of a normality that veers towards the creepy is something way too few horror games explore (NONE).

All modern horror games are just devs bringing their own neuroses and phobias to life. Scary shit is successful when it scares the shit out of EVERYONE.

STALKER and The Evil Within
If not abused, a necessary part
Depression Quest already exist, and that is a horrible text adventure game.
I bought Forbidden Siren 1 for 5$ at PSN

Would you recommend Siren?

It's not.

Why is there always a maeda in almost every japanese game? Are the maeda clan really that big, or did keiji maeda just inspire all the commoners to take his last name when everyone started grabbing one?

Does FEAR count as horror?
I was quite scared to enter the facility at the end
They can be done right and wrong. A long build up is absolutely necessary, and it must be something that the player will then attempt to avoid ever happening again. This was done expertly in FEAR. The electro enemies first appear after a very long buildup of corridors and hints at "failed projects", which gets the player on to their toes. When they finally appear it's with barely any warning, and they WILL scare the shit out of you. You have no clue how to deal with them, and for some reason the first one drops from the ceiling. This has left me with a fear of the ducts and vents, since I always expected these fuckers to come from the ceilings and get me once I enter their turf. Turns out the devs hid a lot of goodies up there, like HP and Slomo boosts, and even the first time you can get the deathlaser rifle. Truly a well executed use of A SINGLE FUCKING JUMPSCARE.
Terrifying texts and detailed description of gore, pain and [smell].
See above. Finished the FEAR basegame last week.

siren is a very very strange game, user. The controls are clunky, the puzzles are obtuse, and it's fucking hard in my opinion. That said… it's really pretty cool and is goddam scary. The soundtrack is god-tier, the enemies genuinely unnerving, and the plot is pure japanese horror with some memorable characters. It's really one of a kind.

You can try siren blood curse for the PS3 if you want a crack at the remake but it's not nearly as good. I don't normally say this but coming from someone who owns a copy, Siren is better as a Let's Play series because I don't have the time or patience to autistically go through every level twice and read a gamefaq to do things exactly right.

There is a sweet spot early on where it's not there and you are just trying to survive and find the cure. I was always checking around me because I knew at some point I would be hunted but not when it would start.

This is what I was thinking, make the game based around the time it takes to do actions or something and have the player try and keep their routine going as things go south. Once you get marked you start having to spend less time doing things as they become dangerous activities. Showers become shorter, you have to start putting up wards and such, find time to research what is chasing you which means going out into the world since the information isn't just floating on the internet.

And all the while whatever is coming for you gets bolder and more frequent.

I would but you need to do the following things when you pick up the original Siren.

This game is notorious for being obtuse and the devs intentionally made some puzzles really abstract in order to force players to work together over the internet to solve them. That being said the manual gives some really good hints towards solving those puzzles by listing dates and times. There is also some good advice for navigating the enemies and such.

Like this user said This game is hard. Enemies usually out-gun you and have no scruples in just killing you as fast as possible. This game does require your patience. A lot of stages seem like you should be rushing but really you need to take your time, sight jack your enemies to establish patterns, and take it one step at a time. There are very few timed missions so you can take things at your own pace.

I think what Siren does well is crafting a very believable world and scenario and it's atmosphere and central mechanics are top notch. This game keeps you on edge in a good way. The Controls aren't as bad as some people say in my opinion because it's RE4 tank controls with a context menu, but that being said it will take some getting used too for melee combat.

Getting into the Original Siren is easier now thanks to it being available on the PSN but either the PS2 or Port are fine purchases.

Seeing as Tomoko is a minor character maybe Maeda is just one of those last names that can be common? Like Smith or something?

While good in thought, it's hard to execute. Many people forget that horror games often feel drab or "this is the time you're 100% safe" segments come up on a repeat playhroughs.

I think that's the main devil in said playthrough is "forced slow" with no point or constant "lurking" issues.

Perhaps working off of a sort of "sanity" issue would help.

>except when you're going for these last few things
>can't rest anywhere as 'something' covers your eyes and you die
>during the obtaining of last item, can't interact with basically anything
> basically, the world is an eldrich abomination and a man trap
>"it's" goal was to keep you there and just slowly drain your life, but the items start breaking the illusion
>as the illusion breaks, the place starts trying harder to keep you in it
>this involves the furniture and mundane objects grabbing you
>you grab the last item, which fully shatters the illusion and everything makes a mad dash for you
>you dash through an exit
>start in room that the game started in

this is something that I wish more games did as well as siren but the at first subtle and then explicit modifications to the environments that the shibito are working on (as well as their own physical transformations) that tie into the overall story.

You see the enemies walking around using tools and building… something but it's not until the end of the game if you've been completing the levels and finding all the extra files that you really understand why they're doing what they're doing.

I think more than anything I loved the Genre shift when I realized what was happening.
The story starts off as a japanese "cursed village" scenario with zombies but once I realized the true nature of the "curse" I realized it was actually a lovecraftian story of alien blood transforming those who imbibed it.

I'm having a lot of fun with this game, it's kind of a RE clone, more action oriented, equally bad voice acting and some bizarre characters that make the game really funny

God I wish layers of fear had some actual gameplay to it.

it's trash

I want to play the early Silent Hills, especially 2. Should I play the first one? In what order should I play through them? (Probably gonna stop after 4 if I get that far.) How should they be played? (Emulator? Recommended ISOs?)

Isn't this the one made by the guys who later did the Blair Witch games?

Yes. But I play horror games for their supernatural aspect, and its sense of surreality puts it head and shoulders above penumbra clones.

I want a horror game that makes itself unsettling just by atmosphere alone. Any good picks?

Scratches.

Thanks, will definitely try that.

it's legit a silent hill PT clone though

Be advised: The game has a very good atmosphere, but the gameplay is shit because you usually spend 30 minutes trying to find out wtf you are supposed to do, stumbling across it by chance, and then spending 30 minutes trying to find out wtf you are supposed to do again.

WAIT A SECOND!
I don't remember THAT part in the comic.
Did it get an extra chapter/update or something?
Can you give me a link?

2 is independent and can be played in any order. For the first one, I just grabbed it off emuparadise and used mednafen to emulate it, which worked completely fine. 3 continues the story of the first game, so that should be played after. The fourth game is also independent of the others as far as I could tell, but I only got about two hours into it before I got bored and dropped it.

what can you guys recommend for not horror but suspenseful atmospheric game?
stuff like Soma or Kona (recently played)

KojiHill is dead, as is Allison Road. There factually isn't much wrong in being a PT clone since at least it's bringing an idea to life.

Release date pls

I want more body horror vidya.

[Jyoka] Hachishaku Hachiwa Keraku Meguri - Igyou Kaikitan
It was from the last chapter, I used the russian scans because it's a two page spread and the english ones don't redraw the page divide. Also while the artist draws some hot women, if you haven't seen some of the later chapters in the volume they are pure horror and no lewd.

exhentai.org/g/1051020/25f6a1305f/

What is this game and why haven't I heard of it before now?

People always ask this question and the answer is always the same: release order.

Yeah, Terminal Reality. Actually Blair Witch is kind of a sequel to Nocturne, as weird as it sounds. Those guys also made Bloodrayne and other stuff, all of them are pretty mediocre games, maybe Nocturne is the best one, I'm having fun nonetheless.

I liked The Vanishing of Ethan Carter, maybe try that one if you haven't.

Oats Studio is Neill Blomkamps project creating movie quality content in micro bursts on youtube, this vid is a trailer for a short movie coming out on the 12th. you can purchase the 3d model assets on steam

Western: Slender Alpha (fight me)
Asian: Clock Tower for gameplay, Silent Hill for atmosphere

Absolutely not necessary, but not a cardinal sin either. Jump scares can be done well but they need to be used in moderation and should only be used to supplement the atmosphere of a game. If I go "Ah!" and jump up a little but I'm not scared 5 seconds later, it's a bad jump scare.

The same way you make a horror novel work, or even a horror VN work. Describe things without actually explaining what they are. Alternatively you could take an SCP or creepypasta approach and just keep things increasingly bizarre (preferably intermingled with more mundane conditions so you can shift from calm to horror without even realizing it at first).

I wish. Nothing's popped up on my radar in what feels like years.

Let's expand the scope a little bit. What non-horror games do a good job of creating a tense, uncomfortable atmosphere?
I've been noticing it a lot in Legend of Grimrock. The dungeon's tight corridors, there not being very many places where you can rest without enemies stumbling upon you, and the constant whispers in the background all add up to a very foreboding atmosphere.

Every game in the Soulsborne series, more or less.
Postal's loading screens.
I don't know if LSD and Eastern Mind count as non-horror, but those two definitely count.

If we wanna narrow it down to individual levels:
Okami - Ghost Ship
Hotline Miami 2 - Sewers
Dear Esther - Walking into the ocean
Condemned - Mannequins

I don't know what I expected, but it wasn't fucking this.
I thought of webm that moment, but OBS crapped out on me, shame

LIberate tuteme ex infernis. It seems to actually be pretty good where the stealth is managed reasonably and the art style makes everything seem demented without making the enemies seem harmless, and of course they don't rely on jumpscares or shocking loud sounds.
I just really fucking wanted this to be a thing

the thing with evil within is it didnt know if it was going to be re4 or silent hill so they just fucked it up by mixing both genres

no the director knew exactly what it was going to be but the media wanted it to sell it as the savior of the horror genre when in reality, it was just Shinji Mikami formulae further refined

...

how the fuck would you market it tho? that would be kojima levels of fuckery like what he did with mgsv teasers. add to that, the base sims-like game should have gameplay and should be interesting as well or people wont even get to the scary part before they shit on it

Why, my peanus weanus of course :D.

Haha.

Haha ebin my dude :—DDDDD

Anyone else have a problem with ghost girls etc where you get scared and it eventually somehow breaks into lust?

They were never up in Europe, so I never got to try it in co-op.

I've played Scratches and now I feel like playing more point'n clicks in similar style. Anyone has something like that?

Darkness within 1
there's a sequel but it's not point and click. The devs also made a game called Conarium

its more of a psychological thriller than a horror really, but get even still tickles my atmosphere boner

I've played through Silent Hill 2 several times, and 3 once, but I've never gotten further than a few minutes into 1, since it felt really clunky, even for a playstation game. Does it still hold up today, when compared to 2 and 3?

SH2 is the worst of the original trilogy.

Is that condemned?

It's get even.

But it's better than 3 in every way.

I respectfully disagree. The entire game is centered around the story and its surprises, and feels more comfy than oppressive as a result. Gameplay's easy, just get the plank, spam it while circling the enemy and you're done. The NG+ stuff doesn't hold a candle to SH3's. Pyramid head is a ridiculous twat that is thoroughly undermined when you fight two of them in the penultimate fight and they fall to like four hunting rifle bullets. I don't care about James and his plight, but that is subjective.
And let's not forget it created the blight that is tomm hulett.

That atmosphere is my favorite thing about 2. The contrast between roaming the streets at day, where even though there's monsters, it's actually sort of comfy, and then the interiors where 100% of the comfy gets thrown out the window.

3 lacked any dichotomy like that, instead choosing to frequently throw piles of respawning enemies at you, so it was almost always a better idea to just sprint through an area and ignore everything, which makes you numb to the whole thing.

That would be the first game then.
SH2 had the best atmosphere, characters, story, puzzles and level design. The only thing SH3 had better than 2 was slightly better graphics, the mirror room and that enemies are more dangerous (but it should not matter much since there's quite a lot of weapons unlike in 2).

So Dreadout is something I remembered.

Someone post the terrible porn

This game's pretty scary

Is that Penumbra?

No better horror game let me tell you, jumpscare only happens if you let enemies sneak up on you or if you dont scout envoirnment before proceeding. You have means to defend yourself yet it's really easy to die if you fuck up. You kill shit fast and shit kills you fast so you're on your toes in every are that's not safe when it's nighttime.

Really was sceptical towards stalker series but i've played them all and just started CoP. Shit makes me love vidya again

brought this game ages ago because it's dirty cheap
haven't found the courage to play it still

looks like it but a bit too detailed textures

oh yeah, heard of that game somewhere, though i think it's more of a eating simulator ain't it?

oh yeah found it out, probably Cryaotic plays, don't remember if I'd already seen it though
and btw I'm watching "what remains of Edith Finch"right now
and oh good this shit is awesome

I tried that game because I'm a big FF fan, it seemed like there were too many jumpscares in it though unfortunately. If you're into that, it's pretty creepy

Came here to post this. I feel oddly at home watching this trailer, to me it is fucking beautiful. If it ends up having VR support, I may just have to give in and get VR for this game alone.

Interesting art direction if anything

It's not Penumbra

Pfff - If you're a baby maybe.

The problem with jump scares is the immediate drop of suspense.

Also, am I the only one that prefers it when the monster can be seen just barely in the background and comes into focus as you draw near? Sort of like when you first encounter Red Pyramid Thing at the Hospital in SH2. Or when you get chased by him and there's a bunch of mirrors in the hallway showing his pursuit.

make the skulls turn to face you whenever you aren't facing them.

I haven't bothered with Outlast past the hour mark, but there was something I was curious about but haven't reinstalled to check.
I heard there was a super spoopy death scene if your NV camera battery runs out in darkness, that true? Tried looking it up but I don't really know what to search for so nothing showed up.

Fan servers for Outbreak exist, but you'll need to put in a bit of effort.
obsrv.org/wiki/index.php?n=Server.FAQ

The gif is from The Taking of Deborah Logan, a found footage horror film

shit film tbh

Only a shit ending, like 90% of all horror movies.

no it's trash, the ending is pretty decent

That flick is one giant low blow. It veering to possession halfway was a relief.

Jesus Christ, we've failed ourselves. Whatcha playing dudes?

Well, I'm playing root letter, I saw an errant post about how it can get spooky, but mostly I'm just playing it because VNs with investigation gameplay are few and far between these days.

Finished Alien Isolation and Silent Hill 3. Alien Isolation is a good attempt at a modern horror game with its focus on atmosphere but its genuinely frustrating that the game has no real ending, and having to hide from aliens and robots can get pretty annoying.

...

Are you describing a game that exists or pitching an idea?

sounds sick
I wouldn't mind working on this

Aliens versus Predator

Marine campaign.

Pretty sure it's just pitching, but In Memoriam is also fairly close to this, albeit with a serial killer theme rather than lovecraftian. I doubt you can play it these days since it relied on fake websites and email accounts that are probably long closed

Make sure to turn off the music. It makes the game a lot better when you don't have music cues ruining everything.

Yeah, as said I was just pitching some ideas.

I’ve seen so many games do Lovecraftian horror wrong, so it would be nice to see a game that does it justice. I think a ARG-like game would be the best way to do Lovecraftian horror. In a typical game you have to have some kind of enemy for the player to either avoid or fight.

The moment you introduce some eldritch horror you run the risk of overexposing it, showing too much, having the player attack it, because ‘that’s what you do in a game’, or it looking silly. In the game idea I posted, Cthulhu (or whatever other horror you want) would not be seen, only mentioned, and the effects of it felt on the characters you encounter. They begin to suffer from terrible nightmares, feel like reality is failing around them as they experience weird, unexplained events.

In-game site links could be archived with arhive.is &/or the Internet Archive’s Wayback Machine. That way it would be accessible years from now if someone wanted to play it. Some pieces of the game content could only be found on the dark web, so you’d have to use Tor to access it. You could look for clues in your player character’s ancestry, maybe there is some horrible secret in your own ancestry that could come back and haunt you? There could be (actual) fake news sites, ‘The Arkham Gazette’, mentioning mutated animals found near the city’s water reservoir, talk about possible water contamination, fires being sighted on the top of distant hills in NE, and other small references to Lovecraft’s work, which would all be considered canon in the game.

Imagine you are watching a ‘live’ stream in-game, the streamer leaves the room for some reason, maybe they heard something outside and goes to explore it. While they are gone you see movement in the dark room, something thru the window behind them?

Or logging onto your email or social media account to see a warning message that there’s been an unusual login to your account – messages being deleted, etc.

I really like Fatal Frame. 2 and the remake of it are my favourites. The remake has that shitty hand-grabbing thing that 4 did better, though.

I haven't played 5 but it seems not as good as either, still seems like fun.

Even if it wasn't just a very good Fatal Frame in general I'd probably still get it because of sexy ghosts and Ayane

The characters bonus costumes were censored, I believe. Just outright removed. It's weird because as you said, there's outright sideboob and wetness plays a part. Plus, ass.

I really like shit in horror that makes me question my boner. Or stuff that makes me agree with my boner, like Haunting Ground

What are some notable successes and failures in the 2D horror genre? What is needed to make one of these games genuinely scary/unsettling?

Knock-knock is good, even better if you're into the strange, mysterious and supernatural. The less is said about it the better.
Lone survivor would probably have been interesting if it let you explore at your pace instead of tugging on your leash every five goddamn minutes.
This thread mentioned the cat lady quite a few times, didn't play it myself but it has to be doing something right.
I guess you could somewhat include Fran Bow's first chapter ? Game's more like Alice in Wonderland but more psychotic/bipolar in general though.

Isnt this just fatal frame?

come on mate, just post it already

I don't think so, forgive if I'm talking shit since I'd never actually played Fatal Frame
but it seems that the game suffers from your usual japanese super hero fighting ghosts kinda of mechanic, where as it inevitably loses the horror/scare part of it
where as Dreadout is more on the creepy/scare side all the time, even if it does actually has some fighting
plus, asian schoolgirls are scary

is that a stylised still from the Vanishing of Ethan?

fucking god tier setting, dense Washington/BC forests with lonely mountains, train tracks through the trees and over bridges, and small towns

Alan Wake was as close as we'll get on this and it wasn't even that good.

Do you prefer it when horror games allow you to fight back with either melee or guns, or do you prefer it when you're left defenseless?
I personally prefer the former since it allows the devs to not pull any punches, since you're expected to be able to perform well with combat

I remember playing Clock Tower the first fear and being scared shitless. I had played the silent hill trilogy at that point, and while I thought SH was still far and away the better game, that CT proved no combat was more conducive to fear.
Well, I have yet to play a no-combat horror game which had the same effect at that SNES game, so either it was pure novelty that hit me the right way this one time, or nobody knows how to do it right.

I think a text adventure horror game has the most potential to bee truly frightening.
You describe the horrors just enough to give the player an idea of what it is, but you leave enough room for them to fill in the blanks themselves, and whatever they imagine in their heads should be much more terrifying than what a concept artist & 3D modeller could come up with.

I think a game that aimed for realism, & presented the story through forum posts, text messages, etc., – voice messages could also be very effective, they too, let the player imagine what is going on.

It could even be done on a phone or a tablet in a style similar to those atrocious (story wise) new World of Darkness games for mobiles.

You can fight back in Clock Tower, just poorly. You get one freebie to push away Scissorman, and the rest are environment related.

It's actually Indonesian.

And uses the same mechanics as Fatal Frame I think, taking pictures of ghosts and whatnot.

Well it's a pretty interesting concept, I'm not big on ARG but if done right, by capable writers it could be really cool.

Fight back, I hate it when you're constantly running.

i am not noticing that much pixel/rpgmaker stuff lately (at least not good ones)
Saw this on a korean YT channel i landed by accident. i don't know anything about the game

That CYOA would work really well as a video game if you kept it vague enough instead of immediately letting the player know how a bunch of items and neighbours have useful supernatural side effects.

The only Horrorgame that got my heart beating really hard was Silent Hill. I don't know exactly what it was, probably the weirdness of it and the masterclass soundplay. Dead Space got close to be another favourite in the first quarter, but became a shitfest shooter in the later phases of the game, sadly.
If used correctly and seldom, they are a great addition, if used wrongly, they destroy the atmosphere
No idea.
I hope to find something in this thread.

not to mention the underground labs

Four is linked to both 1 and 2:
1. - the Cult has connections to the 21 Sacraments (Walter's notes mention Dahlia, Allesa's mum visiting him at a young age).

2. The twin baby murders appear in notes Silent Hill 2 also with Walter Sullivans grave)

I'm not much of a fan of TP but his video of there's is pretty okay in my book.

what film is this?

I know it's Indonesian
fatal frame is Japanese

that one fucking door
you know the one
no not that one
the other one
yes that door
fuck that door
fuck it

I can only really see it working as a VN.

I'll never understand people that think this.

r8 my combat horror idea

Dagon, directed by Stuart Gordon, based on H.P. Lovecrafts 'The Shadow Over Innsmouth'

...

X-16 was a butt clenching experience i had not lived since playing Silent Hill, i fell like reinstalling stalker for the 10th time (only to drop around garbage)

I could see the Pseudogiant at the end in the sewers causing some asshole puckering, especially since it's possible that you may be nearly out of ammo at that point.

...

A VN, a traditional roguelike, or a VN/roguelike hybrid, maybe 3D if you're crazy enough and have the technical knowledge and modeling experience to pull it off.
It could become a unique combination of comfy and spooky if played well, or just fucking terrifying if the player behaves like an antisocial faggot. I almost want to work on this now but I have other /agdg/ shit on my plate, and I wouldn't trust myself with making a game like this without playing a fuckton of Pathologic and other Ice Pick Lodge games first.

...

They're not FTL civilizations so they don't have any planet killing weapons, they basically use conventional rockets to travel to other moon orbiting the planet.. Your ship is a busted up colony ship with nothing too heavy either. You're stuck on the moon, and the other moons are only a few decades ahead of 2010's Earth in space flight so they can't project enough force to launch a massive invasion, plus they're also fighting each other. Your engaged in innawoods guerilla warfare with multiple alien species, plus you have to deal with indigenous wildlife.

there's your problem

>It could become a unique combination of comfy and spooky if played well, or just fucking terrifying if the player behaves like an antisocial faggot.
Sounds awesome, where do I sign up?

Even if it was announced to be a game, be prepared for hype and then disappointment.

I was writing a short story (possibly series) about an user who goes into that hotel. Determining the plot each short story with dice rolls.

I get the feeling that the creators of that had no fucking clue what they were making but wanted an animatronic t rex to chew people up and then eventually put something resembling a plot into it

Also the first encounter of that Poltergeist, you don't know what the fuck is going on when shit suddenly starts flying around you.
But I notice the S.T.A.L.K.E.R. experience is greatly affected by the brightness and contrast settings you use (and dynamic lighting); In my opinion it should be tweaked so areas without light are literally pitch black aside from where you shine your flashligh.

disgusting

Western: System Shock 2
Animu: Fatal Frame
Best if unintentional.
Carefully.
Nope

Is that what it was? I thought it was just a round mag on a shotgun. I saw that dude's street sweeper video a long while back and basically it's terrible.

these are two things that don't combine
once you can successfully fight the horror and win, it ceases to be scary

My favorite horror game is Killing Floor, u ironically. Game has some of the best spooky atmosphere there is.

Actually, no, it's Pathologic.

A horror game where combat uses up scarce resources and encourages you to flee maintains a constant pressure. You don't "win" against the horror by winning one fight if the horror is an entire cornucopia of monstrosities that keep coming until your final escape.
On the other hand, in no-combat games, you are either being chased/hunted or you are safe. The pressure is staged, usually loudly, and has definite downtimes.

I kind of like the idea of giving a player a fuckload of ammo and then a horde of really, really powerful monsters.
Everything is fine and dandy and then supplies start dwindling, and there's no ammo in sight.

This is true almost all of the time, but if the failure state is sufficiently punishing (say, permadeath), and the gameplay is extremely immersive, you can definitely have great combat focused horror.

Who says? You could very well have the enemies be these unkillable things you can only put down temporarily. Also I think it's necessary for them to very strong and/or agile, plus unpredictable. They shouldn't be cannon fodder that can have their AI abused and just splatted one by one, they should be this big unrelenting force that the player must respect.

Also, so many games like to show the monster exploding and shit when you kill it, which gives you a feeling of power and nullifies the fear. They should play with uncertainty more, doing things like having the monster quietly fuck off so you're not sure what happened.

Like Alien: Isolation?

Haven't played it but it's probably what I'm thinking of. I mean having no indication you killed an enemy would be bullshit in most games, but terrifying in horror, especially with enemies that like to hide and ambush you.

Silent Hill 4 had ghosts that couldn't be killed permanently, and only a few daggers in the game can pin them down permanently acting like a death, until you pick it up again and they start chasing you.

Tell that to any Vietnam vet.

an entire cornucopia of monstrosities, you do get desensitised from killing everything, at which point it just becomes a action game

permadeath as a mechanic in most types of games is a shitty feature, lest for roguelike, which also don't combine well with horror…

and that is exactly why I've said "and win", having some type of combat where you can't win (perhaps just distract and get away) is still a very valid mechanic

you do be surprised at the number of soldiers that don't fire weapons at wars, its mostly the chaos and people dyingall around that causes the horror

futhermore that recent triple A horror title really showcases this,
for some reason I remembered about Metro, FEAR and even nuDoom, now you wouldn't think based on their genres, but Metro is actually the scariest of them three,
even though those two are "horror" genre, they are much more action packed than Metro, where as, Metro actually plays a lot more on the chaotic and thing that you wouldn't be able to handle alone

this is one critical side of survival horror, the other one would story element
and I mean that because your imagination is the worst possible horror you can imagine*
reading or being around something creepy is way worst than actually seeing it, because you're forced to imagine what happened or is out there
and example of this, were the torture chambers in Amnesia, you don't actually see nothing but read reports you find, they need to make prisoners suffer, so they came up some really fucked tortures
another example of this was in penumbra, the dude that started mutating and had to cut out his enlarged tongue, fucking creepy

Jesus.
That post specifically stated you did not have the resources to effectively fight everything, that it maintains pressure better than something purely escape/hiding based. And not only do you sashay right past the point, you're also implying killing things is supposed to be scary now ?
Also, since getting "desentitised" seems to be such a fatality to you, you're going to have to explain how Frictional crap and consorts escape this better than SH/RE style games, because they absolutely do not.

You fucking Frictional fanboy reddit cocksucker get your cockhungry ass off of my Holla Forums.

Amnesia managed to keep the eerie atmosphere of isolation, & not being too repetitive till you encountered Johann Weyer. He talked way too much – it wasn’t even an interesting monologue either, & it completely killed the mood.

I think Red & Amabelle from Penumbra were much better characters – Clarence could have been great, but felt silly & did not work for me at all.

I have yet to encounter a horror game that doesn’t drag/become repetitive. That is a major drawback, as it kills the atmosphere & tension the game has built up to that point.

There is a reason the short story & short film format work better when it comes to horror – don’t give the audience a moment to breathe & feel safe.

I think a great horror game format would be the anthology – several devs making their own, distinct story – not much more than one hour in length. Perhaps they could be connected by a theme, or set in the same universe, with mention of characters & events from the other episodes.

That's true.
Besides that the other point is NOT playing with dreadful stalker Complete mod that made every underground area lit as fuck, agroprom in it is basically fullbright, with some blue candles lighting it for whatever reason.

Agroprom in SoC Complete for comparison, at 7:40 timestamp, this is disgusting

Absolutely disgusting. Fucking casuals.

Well I'm clearly too tired but I forgot to also mention cant you add sweetfx mods to make the enviroment darker?

Im pretty sure you can add sweetfx to any game and modify shaders accordingly BUT why would you want to do that to Complete mod - why would you want to play that garbage in first place?

Well I've actually played it, I made it a point to play every total conversion mod for all S.T.A.L.K.E.R's.
The only ones I havent are the russian ones where there is either shitty/no localization since I cant read vodka runes.

Pretty much, ask her a question that forces her to think for the answer and run away.
Or just throw a bunch of coins at her and then run away.

Have a some nice not really love stories exhentai.org/g/1051020/25f6a1305f/

Funny, I just started working on a horror-themed text game, using Adrift 5, about two weeks ago. I'm stuck b/c I suck at thinking of puzzles, then it takes me a week to implement one properly. I've only got one other guy helping me out, and all he's really doing is sending me random ideas.
It's exhausting & I fear this game will never see completion.

Hang in there, user.

Don’t be overly ambitious – don’t pad it out, keep it shorter and work more on the writing – choose your words & phrasing to suit the setting, situation & characters.

What is the setting/genre?

It's sort of like "The Thing" mixed with Resident Evil in a roughly 1800s setting. The PC finds a recently abandoned manor w/ nearby caves and so forth, and explores to find out what happened.
I have no trouble writing descriptions or dialogue but can't think of many original/good puzzles.

Sounds like you would enjoy stalker soup :^)

oh, I was just playing darkwood earlier, I really enjoyed it and apparently it's coming out of EA very soon (~

this trailer is actually very old, whoops

I wish the original CoC wasn't so damn buggy

It is hard to make puzzles that feel right in games & doesn’t break immersion.

Unless they feel natural & realistic they tend to fall flat all to often for me, completely, or partially, for a moment ruining the tension & atmosphere the game has built up.

In The Games Of Madness: Puzzles, what are they good for?: archive.is/ucj5G

Can't find an image of the sideboob

But here's wetness at play, as well as ghost cleavage.

The last two pics are the (bonus) costumes that were removed from the western release.

Also Fatal Frame is more or less a game where you take pictures of ghosts to fight them off. Sometimes there are are ghosts you can't fight off (so you have to run), and you have scares you can't do anything about. Creepy environment stuff and whatnot.

I actually really, really love the arcadey style of gameplay. You get scored/points depending on how you take the pictures. Such as if you got more than 1 ghost in a shot, or if you took the picture just before they hit you (aka a Fatal Frame) etc. You can upgrade the camera, switch lenses, etc. It's one of those horror series that doesn't forget that it's a game first and foremost, and not just a scare simulator.

Well, I've done a text adventure game, it wasn't horror but it had a couple of riddles I tried to make original. Without going into detail, they were :
Hope this can give you ideas. Also give some hints around the puzzle, bear in mind there will be no gamefaqs for your game and you don't want the less patient to get too frustrated.

If I'm not mistaken, one of the characters works as a gravure model and is posing in a swimsuit but they removed that as well.
I think it's part of her character as well that she feels uncomfortable being a model and all that jazz, but it does not make sense when the scene was censored.

I have not played the game, this is what I picked up when reading through the threads back when it was released.

there's a cutscene, a grand total of one cutscene, where one of the main characters is in a swimsuit and is really uncomfortable with the photographer taking her photo. this was censored in the western release and she's just wearing her original clothes. this didn't really bother me for two reasons
1- the cutscene didn't really make any sense anyhow. i mean, the argument could easily be made that it was the translation that made the cutscene feel so unimportant, but the photographer is genuinely creepy while snapping the photos even in the translation and i don't think a swimsuit would have added anything that the scene didn't already have aside from 12 lbs of pussy and ass
2- the character's dislike of being photographed and her experience with that one photographer aren't really brought up at any point before or after the cutscene. it was a cutscene that was just kinda there for no reason again, aside from 12lbs of pussy and ass

i mean, censorship is gay as fuck and i hate when things get changed out of our releases, but when i saw what we were "missing" all i could really feel was "well, we're not really missing much". besides, the zero suit costume we got as a consolation prize works for me

Thanks kind anons. So far my only puzzle aside from "find the key" works like this:
There is a monster in a cage. There's also a key item in the cage. The player has to drug the monster (toss some laced food into cage) then open the cage (remotely) & run like hell, closing doors & pushing things over behind them, make a circle around the area so the slow drugged monster chases you, grab key from cage then GTFO & shut steel doors, sealing the area off forever. Making the sleeping powder is another simple puzzle I guess, just finding ingredients using a notebook.

Sounds a bit action oriented for a text adventure, but I guess that's what you need to do in a horror one. If you can properly convey urgency and give the player some choices that lead to death it could very well work. You'll probably want to make puzzles involving no danger to balance the pacing.

Imagine a solid Lovecraftian horror game based on this hypothesis in response to the ‘Fermi Question’: The Aestivation hypothesis: popular outline and FAQ | Andart II: archive.is/hlQIV

In the future ambitious mega corporations, hoping to be the first to exploit the untold resources beyond our solar system activate the security systems put in place by an ancient aestivating race/civilization, thereby putting all of humanity in danger.

>aestivators would protect themselves from late-evolving species that could steal their stuff. If we were to start building self-replicating von Neumann probes in the future, if there are aestivations around they better stop us. This hypothesis test may of course be rather dangerous…