How do you think Adorno would feel about Extreme Metal(the music, the culture, the imagery)? Of course a lot of it is trash but there are some death/black/thrash/doom metal albums that qualify as high art, like pic related.
How do you think Adorno would feel about Extreme Metal(the music, the culture, the imagery)...
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Gee, I don't know.
I dunno but black and death metal is fucking art, despite the fact that some of its makers are genuine nazi edgelords.
wat
No popular music whatsoever qualifies as high art.
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The 3 examples I posted were hardly pop music, its not like I posted Cannibal Corpse or whatever
What do the moonrunes of the first and second covers say?
First is Sacramentum's Far Away from the Sun and the second is Vinterland's Welcome to my Last Chapter. Its not the most obscure stuff ever but its hardly entry level extreme metal either. I could name some more obscure examples I suppose.
What about extratone? That's best experienced with bass and high treble turned all the way up.
Dunno if it's a vocal minority or 50% or actually a majority but there's a lot of legitimate nazis in the black metal scene. Most notable example: Varg.
Varg is more anprim these days than Not Socialist, but yeah there is at least a sizable minority of Nazis within the black metal scene. There were some prominent Black Metal musicians who were leftists too though, Euronymous was a MLM. A lot of the South American First Wave Black Metal scene was pretty lefty too.
MOAR
Shit this is pretty extreme
Final holocaust is bredy good.
Who cares about what Adorno thought.
Ask and ye shall receive.
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LegsAkimbo is the only 'good-quality' label which I can currently find for the more brutal side of extratone; you'll probably be able to find more.
However, another genre called flashcore came from the same parent (speedcore) and shares elements with extratone. It's essentially hardcore-and-ultra-abstract IDM and can range from exotic speedcore to acousmatic music. Some producers (such as Convectorh and a few on the entity.be site) even cross into classical and make long, winding scores with distorted soundtracks.
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Good trap points if you can find the two €1,000 albums.
Imho this album by mixing the drums so loud elevates metal music into pure groundbreaking artistic concept based on the pure aggressiveness of the music that goes so far to sacrifice even the guitar sound to make the listening experience as chaotic and even painful as possible.
Come on at this point that's just shitty speedcore with annoying vocals
I unironically listen to bass-boosted, asymmetrically-distorted and fully-overdriven earrape which I used to make myself using random tracks. My musical dick is the longest here.
Euro wasn't a genuine leftist. The only reason he liked big C communism is because of the 100 GAJILLION. He was an edgy dork.
Euronymous was a faggot, but he was so much more talented than the rest of the people in the band. It's a shame he had to 'have an accident and stab himself 20 times on glass falling down the stairs', according to one of his fellow bandmates.
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fucc u
The actually painful part about fallen angel is the loud cymbal, the rest is pretty much listenable
The fact is that extreme metal music that embraces shitty production has a total shunning away of the uninitiated, and fallen angel does so by mixing a punk approach to the extreme metal one with taking no compromises in how heavy the music is. In fact the riffs are insanely good for standard only chromatic riffs (my fav is the first one in "demoniac"). I'd recommend molested's "blod draum" as an onther masterpiece of underproduced metal, even if this has a radically different approach from fallen angel
Cheapcore tracks from the likes of Nasenbluten have louder cymbals than that; they layer them on top of distorted 909 beats and snares quite poorly on purpose.
Metal has the most fascistic lyrics and imagery even when it's not NSBM.
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Define fascistic, a lot of death metal is just about cheesy horror movie-esque topics